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Sci Fi Focus > Encyclopedia > The Cell
Our Rating: 3 out of 5
In a nutshell:
Explore the mind of a serial killer.
Plot Synopsis (may include spoilers):
Jennifer Lopez uses a revolutionary new treatment to enter the mind of a serial killer, in a desparate race against time to find the location of a kidnapped woman... Considerably better than that sounds.
Best Bits:
- Visually compelling
- Spectacular costumes and make-up
Worst Bits:
- Gruesome (this is an important part of the film, but some viewers may find it unpleasant - I know I did)
The Cell
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| The Cell 27" X 40" Original Poster  |
The Cell 30" X 42" Framed Poster  |
The Cell 35" X 48" Framed Poster  |
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The Cell
Disclosure: Products details and descriptions provided by Amazon.com. Our company may receive a payment if you purchase products from them after following a link from this website.
 | Directed by Tarsem Singh Featuring Jennifer Lopez, Vincent D'Onofrio & Dylan Baker NEW Line Home Video Released: 2000-12-19 DVD Description: A therapist (Jennifer Lopez, Out Of Sight) uses an experimental treatment to enter the mind of a serial killer (Vincent D'Onofrio, Men In Black) to learn his secrets. An FBI agent (Vince Vaughn, Swingers) must rescue her from the killer's nightmare mind List Price: $12.98* Lowest New Price: $4.18* Lowest Used Price: $0.01* Usually ships in 24 hours* *(As of 09:07 Pacific 6 Feb 2012 More Info) Buy It Now |
 | Directed by Tarsem Singh Featuring Jennifer Lopez, Vincent D'Onofrio & Dylan Baker DVD Amazon.com: Schizoid serial killer Carl Stargher (Vincent D'Onofrio) has been captured at last, but a neurological seizure has rendered him comatose, and FBI agent Peter Novak (Vince Vaughan) has no way to determine the location of Stargher's latest and still-living victim. To probe the secrets contained in Stargher's traumatized psyche, the FBI recruits psychologist Catherine Deane (Jennifer Lopez), who has mastered a new technology that allows her to enter the mind of another person. What she finds in Stargher's head is a theater of the grotesque, which, as envisioned by first-time director Tarsem Singh, is a smorgasbord of the surreal that borrows liberally from the Brothers Quay, Czech animator Jan Svankmajer, Hieronymous Bosch, Salvador Dali, and a surplus of other cannibalized sources. This provides one of the wildest, weirdest visual feasts ever committed to film, and The Cell earns a place among such movie mind-trips as 2001: A Space Odyssey, Altered States, What Dreams May Come, and Un Chien Andalou. Is this a good thing? Sure, if all you want is freakazoid eye-candy. If you're looking for emotional depth, substantial plot, and artistic coherence, The Cell is sure to disappoint. The pop-psychology pablum of Mark Protosevich's screenplay would be laughable if it weren't given such somber significance, and Singh's exploitative use of sadomasochistic imagery is repugnant (this movie makes Seven look tame), so you're better off marveling at the nightmare visions that are realized with astonishing potency. The Cell is too shallow to stay in your head for long, but while it's there, it's one hell of a show. --Jeff Shannon |
![Cell [VHS]](http://ecx.images-amazon.com/images/I/21GN2RTRKDL._SL160_.jpg) | Directed by Tarsem Singh Featuring Jennifer Lopez, Vincent D'Onofrio & Dylan Baker New Line Home Video Released: 2000-12-19 VHS Tape Amazon.com: Schizoid serial killer Carl Stargher (Vincent D'Onofrio) has been captured at last, but a neurological seizure has rendered him comatose, and FBI agent Peter Novak (Vince Vaughan) has no way to determine the location of Stargher's latest and still-living victim. To probe the secrets contained in Stargher's traumatized psyche, the FBI recruits psychologist Catherine Deane (Jennifer Lopez), who has mastered a new technology that allows her to enter the mind of another person. What she finds in Stargher's head is a theater of the grotesque, which, as envisioned by first-time director Tarsem Singh, is a smorgasbord of the surreal that borrows liberally from the Brothers Quay, Czech animator Jan Svankmajer, Hieronymous Bosch, Salvador Dali, and a surplus of other cannibalized sources. This provides one of the wildest, weirdest visual feasts ever committed to film, and The Cell earns a place among such movie mind-trips as 2001: A Space Odyssey, Altered States, What Dreams May Come, and Un Chien Andalou. Is this a good thing? Sure, if all you want is freakazoid eye-candy. If you're looking for emotional depth, substantial plot, and artistic coherence, The Cell is sure to disappoint. The pop-psychology pablum of Mark Protosevich's screenplay would be laughable if it weren't given such somber significance, and Singh's exploitative use of sadomasochistic imagery is repugnant (this movie makes Seven look tame), so you're better off marveling at the nightmare visions that are realized with astonishing potency. The Cell is too shallow to stay in your head for long, but while it's there, it's one hell of a show. --Jeff Shannon |
![Cell [VHS]](http://ecx.images-amazon.com/images/I/410REFQAT2L._SL160_.jpg) | Directed by Tarsem Singh Featuring Jennifer Lopez, Vincent D'Onofrio & Dylan Baker New Line Home Video Released: 2001-06-05 VHS Tape Amazon.com: Schizoid serial killer Carl Stargher (Vincent D'Onofrio) has been captured at last, but a neurological seizure has rendered him comatose, and FBI agent Peter Novak (Vince Vaughan) has no way to determine the location of Stargher's latest and still-living victim. To probe the secrets contained in Stargher's traumatized psyche, the FBI recruits psychologist Catherine Deane (Jennifer Lopez), who has mastered a new technology that allows her to enter the mind of another person. What she finds in Stargher's head is a theater of the grotesque, which, as envisioned by first-time director Tarsem Singh, is a smorgasbord of the surreal that borrows liberally from the Brothers Quay, Czech animator Jan Svankmajer, Hieronymous Bosch, Salvador Dali, and a surplus of other cannibalized sources. This provides one of the wildest, weirdest visual feasts ever committed to film, and The Cell earns a place among such movie mind-trips as 2001: A Space Odyssey, Altered States, What Dreams May Come, and Un Chien Andalou. Is this a good thing? Sure, if all you want is freakazoid eye-candy. If you're looking for emotional depth, substantial plot, and artistic coherence, The Cell is sure to disappoint. The pop-psychology pablum of Mark Protosevich's screenplay would be laughable if it weren't given such somber significance, and Singh's exploitative use of sadomasochistic imagery is repugnant (this movie makes Seven look tame), so you're better off marveling at the nightmare visions that are realized with astonishing potency. The Cell is too shallow to stay in your head for long, but while it's there, it's one hell of a show. --Jeff Shannon |
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