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Sci Fi Focus > Encyclopedia > Samuel R. Delany
Samuel Ray Delany Jr. (1942-) is an American science fiction author. He is also a professor at Temple University in Philadelphia, and is known in the academic world for literary criticism.
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Samuel R. Delany
By Neil Gaiman & George Pratt
Vertigo
Released: 1993-09-03
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You may have heard somewhere that Neil Gaiman's Sandman series consisted of cool, hip, edgy, smart comic books. And you may have thought, "What the hell does that mean?" Enter A Game of You to confound the issue even more, while at the same time standing as a fine example of such a description. This is not an easy book. The characters are dense and unique, while their observations are, as always with Gaiman, refreshingly familiar. Then there's the plot, which grinds along like a coffee mill, in the process breaking down the two worlds of this series, that of the dream and that of the dreamer. Gaiman pushes these worlds to their very extremes--one is a fantasy world with talking animals, a missing princess, and a mysterious villain called the Cuckoo; the other is an urban microcosm inhabited by a drag queen, a punk lesbian couple, and a New York doll named Barbie. In almost every way this book sits at 180 degrees from the earlier four volumes of the Sandman series--although the less it seems to belong to the series, the more it shows its heart. --Jim Pascoe |
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By Samuel Delany
NYU Press
Released: 2001-11-12
Paperback (208 pages)
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An award-winning science fiction writer, esteemed professor of comparative literature at the University of Massachusetts-Amherst, and celebrated essayist and memoirist, Samuel Delany is one of America's keenest observers. He was also a longtime habitué of many of the sex theaters in New York City's Times Square, spending, by his own estimate, "thousands and thousands of hours" at the Capri, Variety Photoplays, the Eros, and the Venus. In the 1990s all of these theaters were shut down through new restrictive zoning laws, part of a combined effort by the Walt Disney Corporation and the administration of Mayor Rudy Giuliani to gentrify the area, replacing these seedily memorable institutions with antiseptic, innocuous architectural and cultural creations in the name of health safety. But as Delany reveals in his new book, Times Square Red, Times Square Blue, the decision to clean up Times Square had little to do with public health, and everything to do with corporate greed. In the two essays that comprise this eloquent, provocative book, Delany grieves for the loss of this strip of sexual release. Though he is careful not to romanticize or sentimentalize the peep shows and porn theaters, he does illuminate the way in which these venues crossed class, racial, and sexual orientation lines, providing a delightfully subversive utopia--and a microcosm of New York life. In the first essay, "Times Square Blue," Delany details his shared erotic and conversational encounters with working-class and homeless men in the theaters (which primarily showed straight porn films) and the genuine friendships that resulted; these immensely personal reminiscences also provide a social history of late-20th-century Times Square. Drawing on historical and theoretical resources in the second essay, "Three, Two, One, Contact: Times Square Red," Delany next builds a thoughtful and passionate argument against the gentrification of the area and the classist, characterless direction in which he sees New York heading. Read together, the essays of Times Square Red, Times Square Blue are both heartfelt homage to a beloved city and lament for a quirky vitality increasingly phased out by encroaching capitalism. --Kera Bolonik |
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By Samuel R. Delany
Vintage
Released: 2001-05-15
Paperback (816 pages)
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What is Dhalgren? Dhalgren is one of the greatest novels of 20th-century American literature. Dhalgren is one of the all-time bestselling science fiction novels. Dhalgren may be read with equal validity as SF, magic realism, or metafiction. Dhalgren is controversial, challenging, and scandalous. Dhalgren is a brilliant novel about sex, gender, race, class, art, and identity. A mysterious disaster has stricken the midwestern American city of Bellona, and its aftereffects are disturbing: a city block burns down and is intact a week later; clouds cover the sky for weeks, then part to reveal two moons; a week passes for one person when only a day passes for another. The catastrophe is confined to Bellona, and most of the inhabitants have fled. But others are drawn to the devastated city, among them the Kid, a white/American Indian man who can't remember his own name. The Kid is emblematic of those who live in the new Bellona, who are the young, the poor, the mad, the violent, the outcast--the marginalized. Dhalgren is many things, but instantly accessible isn't one of them. While most of this big, ambitious, deeply detailed novel is beautifully pellucid, the opening pages will be difficult for some: the novel starts with the second half of an incomplete sentence, in the viewpoint of a man who doesn't know who he is. If you find the early pages rough going, push on; the story soon becomes clear and fascinating. But--fair warning--the central nature of the disaster, of its strange devastations and disruptions, remains a puzzle for many readers, sometimes after several readings. Spoiler warning: If you want to figure out the secret of the novel as you read Dhalgren, then stop reading this review right now! If you want to know the secret before you start, this is what the novel is about: the experience of existence inside a novel. Time passes differently for different characters. A river changes location. Stairs change their number. The Kid looks in a mirror and sees not himself, but someone who looks an awful lot like Samuel R. Delany. Central images include mirrors, lenses, and prisms, devices that focus, reflect--and distort. The Kid fills a notebook with a journal that may be Dhalgren, and is uncertain if he has written much, or any, of it. The characters don't know they're in a novel, but they know something is wrong. Dhalgren explores the relationship between characters and author (or, perhaps, characters, "author," and author). The final chapter can be even tougher going than the opening pages, with its viewpoint change and its stretches of braided narrative--and the novel ends with the beginning of an unfinished sentence. But the last chapter becomes clear as you persevere; and when you get to that unfinished closing line, turn to the first line of the novel to finish the sentence and close the narrative circle. --Cynthia Ward |
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By Samuel R. Delany
Running Press
Paperback (304 pages)
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Arnold Hawley, a gay, African–American poet, has lived in NYC for most of his life. Dark Reflections traces Hawley's life in three sections — in reverse order. Part one: Hawley, at 50 years old, wins the an award for his sixth book of poems. Part two explores Hawley's unhappy marriage, while the final section recalls his college days. Dark Reflections, moving back and forth in time, creates an extraordinary meditation on social attitudes, loneliness, and life's triumphs. |
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By Samuel R. Delany
Vintage
Released: 2002-06-11
Paperback (256 pages)
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Given that the suns of Draco stretch almost sixteen light years from end to end, it stands to reason that the cost of transportation is the most important factor of the 32nd century. And since Illyrion is the element most needed for space travel, Lorq von Ray is plenty willing to fly through the core of a recently imploded sun in order to obtain seven tons of it. The potential for profit is so great that Lorq has little difficulty cobbling together an alluring crew that includes a gypsy musician and a moon-obsessed scholar interested in the ancient art of writing a novel. What the crew doesn’t know, though, is that Lorq’s quest is actually fueled by a private revenge so consuming that he’ll stop at nothing to achieve it. In the grandest manner of speculative fiction, Nova is a wise and witty classic that casts a fascinating new light on some of humanity’s oldest truths and enduring myths. |
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By Samuel R. Delany
Fiction Collective 2
Paperback (219 pages)
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Acclaimed winner of the William Whitehead Memorial Award for a lifetime's contribution to gay and lesbian literature, Samuel R. Delany wrote Hogg three decades ago. Since then it has been one of America's most famous 'unpublishable' novels. The subject matter of Hogg is our culture of sexual violence and degeneration. Delany explores his disturbing protagonist Hogg on his own turf--rape, pederasty, sexual excess--exposing an area of violence and sexual abuse from the inside. As such, it is a brave book.
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By Samuel R. Delany
Vintage
Released: 2002-01-08
Paperback (336 pages)
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Author of the bestselling Dhalgren and winner of four Nebulas and one Hugo, Samuel R. Delany is one of the most acclaimed writers of speculative fiction.
Babel-17, winner of the Nebula Award for best novel of the year, is a fascinating tale of a famous poet bent on deciphering a secret language that is the key to the enemy’s deadly force, a task that requires she travel with a splendidly improbable crew to the site of the next attack. For the first time, Babel-17 is published as the author intended with the short novel Empire Star, the tale of Comet Jo, a simple-minded teen thrust into a complex galaxy when he’s entrusted to carry a vital message to a distant world. Spellbinding and smart, both novels are testimony to Delany’s vast and singular talent. |
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By Samuel R. Delany
Wesleyan
Paperback (326 pages)
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In a story as exciting as any science fiction adventure written, Samuel R. Delany's 1976 SF novel, originally published as Triton, takes us on a tour of a utopian society at war with . . . our own Earth! High wit in this future comedy of manners allows Delany to question gender roles and sexual expectations at a level that, 20 years after it was written, still make it a coruscating portrait of "the happily reasonable man," Bron Helstrom -- an immigrant to the embattled world of Triton, whose troubles become more and more complex, till there is nothing left for him to do but become a woman. Against a background of high adventure, this minuet of a novel dances from the farthest limits of the solar system to Earth's own Outer Mongolia. Alternately funny and moving, it is a wide-ranging tale in which character after character turns out not to be what he -- or she -- seems. |
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By Samuel R. Delany
Wesleyan
Paperback (376 pages)
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Stars in My Pocket Like Grains of Sand is a science fiction masterpiece, an essay on the inexplicability of sexual attractiveness, and an examination of interstellar politics among far-flung worlds. First published in 1984, the novel's central issues--technology, globalization, gender, sexuality, and multiculturalism--have only become more pressing with the passage of time.
The novel's topic is information itself: What are the repercussions, once it has been made public, that two individuals have been found to be each other's perfect erotic object out to "point nine-nine-nine and several nines percent more"? What will it do to the individuals involved, to the city they inhabit, to their geosector, to their entire world society, especially when one is an illiterate worker, the sole survivor of a world destroyed by "cultural fugue," and the other is--you! |
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By Samuel R. 3 Delany
Wesleyan
Paperback (378 pages)
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In his four-volume series Return to Neveryeon, Hugo and Nebula award-winner Samuel R. Delany appropriated the conceits of sword-and-sorcery fantasy to explore his characteristic themes of language, power, gender, and the nature of civilization. Wesleyan University Press has reissued the long-unavailable Neveryeonvolumes in trade paperback.
The eleven stories, novellas, and novels in Return to Neveryeon's four volumes chronicle a long-ago land on civilization's brink, perhaps in Asia or Africa, or even on the Mediterranean. Taken slave in childhood, Gorgik gains his freedom, leads a slave revolt, and becomes a minister of state, finally abolishing slavery. Ironically, however, he is sexually aroused by the iron slave collars of servitude. Does this contaminate his mission -- or intensify it? Presumably elaborated from an ancient text of unknown geographical origin, the stories are sunk in translators' and commentators' introductions and appendices, forming a richly comic frame. |
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